Services

Here’s what working with me looks like, beat by beat.

Pre Production

Intimacy breakdown, scene analysis, and consultations with producers, directors, and actors. This is where the work starts, long before anyone steps on set.

Director’s Vision

A conversation with the director about how the want the scene to play out; emotionally, narratively, and visually. I'm here to serve that vision, not redirect it.

Performer Prep

Boundary conversations, nudity riders, advocacy on contract terms. Performers should know exactly what they're agreeing to before they ever walk on set.

Rehearsal

The director and performers get aligned on the choreography before we go to camera. No surprises, no discoveries on take three.

On Set

Choreography, closed-set protocols, garment/barrier coordination, and so many Listerine breath strips.

I’m the connective tissue between the director’s vision and what the performers can give. I advocate for the performers, and the director, the crew, and the scene itself. Boundaries get respected for everyone on set.

A group of people working on a film set or video shoot in a cozy indoor environment with wooden shelves and a chandelier. Several individuals are engaged in various tasks, including a woman holding a phone, a man with headphones, and a person operating a camera.
A film crew shoots a scene inside a bedroom decorated with fairy lights, sheer curtains, and purple accents. A woman is lying on the bed, while a man and crew members are preparing for the shot using cameras and equipment.
Two people inside a church or chapel with stained glass windows, engaged in conversation. The person on the left has short hair with a fade, wears glasses, a colorful floral shirt, and tattoos on both arms. The person on the right has long dreadlocks, a black bandana, earrings, and a beige shirt. They are smiling and facing each other.

Specialty Work

Some scenes call for an IC who already speaks the language — the mechanics, the culture, and the social dynamics. These are the kinds of scenes I'm specifically equipped to handle.

Kink and BDSM Scenes

Choreographing impact, restraint, sensation, and power dynamics in ways that read truthfully on screen and stay safe in the room. I bring a working knowledge of the practices themselves and an understanding of how to translate them for performers who aren't necessarily kink-experienced.

Polyamory, Non-Monogamy, and Group Scenes

Coordinating intimacy across multi-partner scenes - the choreography of attention, the geometry of bodies, the relational beats that make a poly dynamic feel real instead of just titillating. I'm fluent in the lived experience and bring that fluency to the work.

Queer intimacy

Beyond representation: making sure queer scenes are choreographed for queer audiences first, with attention to whose bodies and stories sit at the center. Specific care for trans and non-binary performers and the consent conversations that work asks for.

Rates

Rates vary by scope, schedule, and budget. Indie shorts and feature-length productions need different math, and I'd rather talk through what fits than post a number that won't.

Reach out and we can find the shape together.

Five people in a bedroom, with two standing and three sitting or lying on the bed, engaged in a conversation or planning activity, with exposed brick walls and curtains in the background.